This week was the opening of the student art show for the National Fine Arts University. I was super excited to see my work displayed in public in the Sala Dalles in downtown Bucharest, and to get a glimpse of something I had done next to so much amazing work.
I had to do a painting like that last year, a pixalated frame from a movie, repeated. I couldn't wait to be done with mine, but I think my classmate's turned out well. Or as well as it could.
These oversized portraits are wow.
This painting totally creeps me out, and I think it's great.
And what about this tiny table and chairs on a huge plate?
My classmate Elena's work. If you look closely all the strokes and smears are actually tiny people, or horses, or people on horses, or bears or birds. She's insane. In the best way.
Oh, there is someone we know! It took me a while to find her hiding in a corner.
Not only is she hiding in a corner, she's in a special corner. My painting hangs next to a patch of torn up floor and a sign that says "LUCRERE CONCRETE," which means of course, "concrete work."
I don't know if I should be embarrassed or humiliated by this placement, or just go with awesome-ness of people wondering if my painting is a comment on…the state of the worker? I noticed people read the lable on my painting a lot, looking to see if the title explains the "installation."
The title on my lable is "The Begining," which explains nothing and everything.
Stop by and see the show. There is a lot of amazing work. Be sure to check out "Lucrare Concreta."
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